NO MAPS FOR THESE TERRITORIES是一部紀錄了知名的科幻小說家William Gibson[九是那位知名的赛博朋克代表人物]的旅行紀錄片。由導演Mark Neale以接近禁錮的方式把他載入一輛備有高科技小型攝影機、傳真機及數位衛星收發系統的三節禮車，由西到東；南到北橫越美洲大陸沿途記錄了Gibson旅程中的點點滴滴，配上U2主唱Bono及The Edge的音樂元素，面對車窗外陌生、行進中的影像轉移，反映了西方文化在跨越新世紀前不論是政治、經濟，甚至毒品氾濫等的社會現象。利用反記實的佈局，使Gibson無意中洩漏了其靈魂深處的內涵。

短片讲述了由一群年轻人试图用自己的观点诠释朋友的艺术作品而引发的有趣故事。 　　为了给予朋友Simbai（由David Isiguzo饰演）在艺术创作上的支持，同时又能表现自己的艺术鉴赏造诣，四个年轻人旁征博引了“贫困边缘”、“权力滥用”、“怪诞处理”、“德国表现主义”等生僻概念来诠释Simbai引以为“杰作”的现代艺术作品，结果是皆大欢喜，还是弄巧成拙？ 　　巧思丰富、转折惊喜的剧情，流畅的俯仰镜、远近景变幻，细腻的光线、简洁的构图，“敏锐而不失趣味地描绘了男性友谊”（Patrick Gamble，自由影评人），同时“展现了一个英国最年轻的新声音”（Keri Collins, 导演）。《杰作》片如其名，不失为一部年轻的短片佳作。 　　短片导演Runyararo Mapfumo是一位富有才华的黑人女导演，她和制片人Grace Bridger（下图前左）都来自DessyMak Productions公司。目前，《杰作》已入选伦敦影展（BFI London Film Festival）、伦敦短篇电影节（London Short Film Festival）以及Underwire Festival、 Shuffle Festival等多个短篇电影节展映名单。

Leo and Diana, a wealthy couple, take a broken TV to a recycling center. There, they meet Salif and his son, two scrap dealers whom Diana asks to come to their home to collect more stuff that the couple no longer needs. Once at home, Leo’s distrust of the scrap dealers grows until he realizes that there is something they have that the couple desires.

Leo and Diana, a wealthy couple, take a broken TV to a recycling center. There, they meet Salif and his son, two scrap dealers whom Diana asks to come to their home to collect more stuff that the couple no longer needs. Once at home, Leo’s distrust of the scrap dealers grows until he realizes that there is something they have that the couple desires.

短片讲述了由一群年轻人试图用自己的观点诠释朋友的艺术作品而引发的有趣故事。 　　为了给予朋友Simbai（由David Isiguzo饰演）在艺术创作上的支持，同时又能表现自己的艺术鉴赏造诣，四个年轻人旁征博引了“贫困边缘”、“权力滥用”、“怪诞处理”、“德国表现主义”等生僻概念来诠释Simbai引以为“杰作”的现代艺术作品，结果是皆大欢喜，还是弄巧成拙？ 　　巧思丰富、转折惊喜的剧情，流畅的俯仰镜、远近景变幻，细腻的光线、简洁的构图，“敏锐而不失趣味地描绘了男性友谊”（Patrick Gamble，自由影评人），同时“展现了一个英国最年轻的新声音”（Keri Collins, 导演）。《杰作》片如其名，不失为一部年轻的短片佳作。 　　短片导演Runyararo Mapfumo是一位富有才华的黑人女导演，她和制片人Grace Bridger（下图前左）都来自DessyMak Productions公司。目前，《杰作》已入选伦敦影展（BFI London Film Festival）、伦敦短篇电影节（London Short Film Festival）以及Underwire Festival、 Shuffle Festival等多个短篇电影节展映名单。

At a party, Maryam and Jibril exchange glances. Years later, Maryam happens to meet the same young man again when she is asked to deliver a parcel to someone in prison. The recipient is none other than Jibril, who is serving a sentence of several years. The attraction between this single mother-of-three and the inmate is just as strong as it was when they first met. Maryam plunges enthusiastically into an initially largely platonic romance, which on the one hand may satisfy certain longings on both sides, yet on the other also awakens desire. But having a relationship with someone who isn’t there and who doesn't participate in her life, and who she can’t even really get to know, is a challenge for Maryam. Jibril too finds his situation as a prisoner increasingly difficult to bear. 　　Henrika Kull stages the intimate scenes of her first dramatic feature in impressively naturalistic close-ups and, utilising the particular situation of her two protagonists, raises a big question: when exactly do you really know someone – or do you just fall in love with your dream of being in love?

At a party, Maryam and Jibril exchange glances. Years later, Maryam happens to meet the same young man again when she is asked to deliver a parcel to someone in prison. The recipient is none other than Jibril, who is serving a sentence of several years. The attraction between this single mother-of-three and the inmate is just as strong as it was when they first met. Maryam plunges enthusiastically into an initially largely platonic romance, which on the one hand may satisfy certain longings on both sides, yet on the other also awakens desire. But having a relationship with someone who isn’t there and who doesn't participate in her life, and who she can’t even really get to know, is a challenge for Maryam. Jibril too finds his situation as a prisoner increasingly difficult to bear. 　　Henrika Kull stages the intimate scenes of her first dramatic feature in impressively naturalistic close-ups and, utilising the particular situation of her two protagonists, raises a big question: when exactly do you really know someone – or do you just fall in love with your dream of being in love?

19世纪末的—个夜晚，鞋铺老板亨利·霍布森，醉酒后跌到邻居的地窖里，邻居平时与他就有矛盾，于是发生争执。亨利·霍布森也算小康之家，有三个千金；他早年丧妻，长期鳏居，因此养成乖戾的脾气，经常酗酒醉酒。家中店里的大事小事要由精明能干的长女玛吉来操办。三个女儿成人在家，亨利吝啬，既想把她们早早嫁出，而又不愿出嫁妆。玛吉已经三十岁了，她选中的丈夫让亨利大跌眼镜，居然是鞋匠威利·奠索普，此人生性腼腆胆小，为人忠厚，手艺超群，是个可以托付终身的好人。玛吉与威利结婚，成为威利的好帮手，搞起个鞋铺，威利与亨利开始了竞争关系，这让亨利暴跳如雷。玛吉趁亨利酒醉之际，成功地为两个妹妹弄到了嫁妆。亨利孤独，酗酒更凶，终于病倒，经过反复思考，请求玛吉搬回来住。玛吉要父亲同意威利和他合伙经营鞋铺，亨利只好应允。

19世纪末的—个夜晚，鞋铺老板亨利·霍布森，醉酒后跌到邻居的地窖里，邻居平时与他就有矛盾，于是发生争执。亨利·霍布森也算小康之家，有三个千金；他早年丧妻，长期鳏居，因此养成乖戾的脾气，经常酗酒醉酒。家中店里的大事小事要由精明能干的长女玛吉来操办。三个女儿成人在家，亨利吝啬，既想把她们早早嫁出，而又不愿出嫁妆。玛吉已经三十岁了，她选中的丈夫让亨利大跌眼镜，居然是鞋匠威利·奠索普，此人生性腼腆胆小，为人忠厚，手艺超群，是个可以托付终身的好人。玛吉与威利结婚，成为威利的好帮手，搞起个鞋铺，威利与亨利开始了竞争关系，这让亨利暴跳如雷。玛吉趁亨利酒醉之际，成功地为两个妹妹弄到了嫁妆。亨利孤独，酗酒更凶，终于病倒，经过反复思考，请求玛吉搬回来住。玛吉要父亲同意威利和他合伙经营鞋铺，亨利只好应允。

丹尼尔前身是参加伊拉克战争的士兵，如今是世界闻名的艺术家，而且还是个间谍。他将自己的作品展览在肖恩的美术馆里，而肖恩聘请了莫妮卡担任馆长。莫妮卡被丹尼尔的才华深深吸引，势必要跟这位神一样的艺术家见上一面，可遭到肖恩多方面的拦阻。某晚，莫妮卡得知接近丹尼尔的方法之后，跟丹尼尔去到他的公寓里。期间她得知丹尼尔前半生的军人生活，无辜的小孩米卡在战场上的不幸给丹尼尔留下了阴影。正当莫妮卡感概米卡的不幸时，她发现了一张丹尼尔拿着枪站在死去的米卡身边的照片，细思恐极的她不知如何判断这位一直崇拜的艺术家。就在此时，丹尼尔的老战友罗伯特来访。